Imprints of Time and the images of ethos on the putrefied negatives discovered from an old photo studio.

This is a series of photographs about nothing. It is a journey through the notion of incongruity.

A photographic revisualization of some of the paintings by old masters construing the idea of magnetic points.

The souls of my ancestors revisit the earth to observe their legacy live on.

Photographed from malfunctioning digital monitors, the images become metaphors of the inconsistency of the products, the producers as well as the period.

Re-photographed from deteriorated photo prints, the images symbolize the souls of the butterflies and their rebirth.

A photographic statement about the visual contamination caused by commercial hoardings along highways.

A Photographic Appreciation of Leaves.

Toys objectify longings; they exist as inorganic reminders of innocence, jubilation, and gratification.

About the cross-shaped posts that support the powerlines.

A story about Chennai’s motion picture posters of the 1960s and 70s as expressed through the iconography and design.

The subtle changes that happen at a point in Time that are appreciable to a refined gaze.

About the stumps that remained after a seasonal felling, and about the miserable feelings they had.

The rubbles at a construction site remind me of the plethora of man-made objects revolving around the Earth.

Concerning the concept of ‘form’, it’s visual representation and of its absence.

About the mystical stillness of a wetland – a trance that is observed, often broken by the worldly forces.

The diptych and the viewer form a closed organic triangle that contains and blends the content of the dialogue among them.

The split-second coincidences that depict the mysterious alchemy underlying ordinary events.