Imprints of Time and the images of ethos on the putrefied negatives discovered from an old photo studio.

A body of mixed media work, always beginning with a printed photograph.

A Collection of photographic prints that were hand-toned globally or differentially with natural/synthetic pigments.

This is a series of photographs about nothing. It is a journey through the notion of incongruity.

A photographic revisualization of some of the paintings by old masters construing the idea of magnetic points.

The souls of my ancestors revisit the earth to observe their legacy live on.

Photographed from malfunctioning digital monitors, the images become metaphors of the inconsistency of the products, the producers as well as the period.

Re-photographed from deteriorated photo prints, the images symbolize the souls of the butterflies and their rebirth.

A photographic statement about the visual contamination caused by commercial hoardings along highways.

A Photographic Appreciation of Leaves.

Indian streets as an enormously open stage that surrounded me with its various theatrical elements and visual surprises.

Indian streets as an enormously open stage that surrounded me with its various theatrical elements and visual surprises.

Indian streets as an enormously open stage that surrounded me with its various theatrical elements and visual surprises.

Indian streets as an enormously open stage that surrounded me with its various theatrical elements and visual surprises.

Indian streets as an enormously open stage that surrounded me with its various theatrical elements and visual surprises.

Indian streets as an enormously open stage that surrounded me with its various theatrical elements and visual surprises.

Inhabited landscapes of Oman with evident signs of human involvement with the land.

Toys objectify longings; they exist as inorganic reminders of innocence, jubilation, and gratification.

Overdrawn photographs of the cut-section of trees felled down by those who enjoyed the shade and breathed the clean air.

Over-painted photographs a mixed media miniatures.

The infinite variety of inanimate objects and installations that support the livelihood of thousands of people on Marina Beach, Chennai.

About the cross-shaped posts that support the powerlines.

A story about Chennai’s motion picture posters of the 1960s and 70s as expressed through the iconography and design.

The subtle changes that happen at a point in Time that are appreciable to a refined gaze.

About the stumps that remained after a seasonal felling, and about the miserable feelings they had.

The cultural, political and economic signs on the streets and walls of an ancient hilltown.

Photographed in moonlight, these are pictures of some trees awaiting the sunrise.

The rubbles at a construction site remind me of the plethora of man-made objects revolving around the Earth.

A photo-documentary about the survivors of a landslide that engulfed the tribal settlement in 2005.

Vast and profound landscapes of the Land of Tamils.

Concerning the concept of ‘form’, it’s visual representation and of its absence.

About the corporate ‘signatures’ which are first put on the landscape, and then copied insidiously onto the collective mind of the community.

About the mystical stillness of a wetland – a trance that is observed, often broken by the worldly forces.

The diptych and the viewer form a closed organic triangle that contains and blends the content of the dialogue among them.

The split-second coincidences that depict the mysterious alchemy underlying ordinary events.

Images of the social, political and religious symbolism found in the streets of Mumbai, India